Maximilian was a keen supporter of the arts and sciences, and he surrounded himself with scholars such as Joachim Vadian and Andreas Stoberl (Stiborius), promoting them to important court posts. Many of them were commissioned to assist him complete a series of projects, in different art forms, intended to glorify for posterity his life and deeds and those of his Habsburg ancestors.   He referred to these projects as Gedechtnus ("memorial"),   which included a series of stylised autobiographical works: the epic poems Theuerdank and Freydal , and the chivalric novel Weisskunig , both published in editions lavishly illustrated with woodcuts.  In this vein, he commissioned a series of three monumental woodblock prints : The Triumphal Arch (1512–18, 192 woodcut panels, 295 cm wide and 357 cm high – approximately 9'8" by 11'8½"); and a Triumphal Procession (1516–18, 137 woodcut panels, 54 m long), which is led by a Large Triumphal Carriage (1522, 8 woodcut panels, 1½' high and 8' long), created by artists including Albrecht Dürer , Albrecht Altdorfer and Hans Burgkmair .
From Sitting to Selfie: 300 years of South African Portraits at Standard Bank Gallery in Johannesburg maps the long tradition of portraiture and its changing use and function in society. The exhibition, which opened to the public 25 June 2014, features work by Candice Breitz, Willem Boshoff, Hasan & Husain Essop, David Goldblatt, Haroon Gunn-Salie, Robert Hodgins, William Kentridge, Brett Murray, Walter Oltmann, Mikhael Subotzky, Minnette Vári and Diane Victor amongst others. From 19th century oil paintings to 21st century video installations, the exhibition raises many interesting questions about how and why people make portraits of themselves and others, and how the reasons for this have changed over time. The exhibition runs until 6 September 2014.